![]() ![]() While it may be lengthy (the video essay is almost as long as the original film!), the level of detail will satisfy those of you who enjoy exploring every tangent-rich nook and cranny of horror history. The following video essay goes into extreme detail about the Hills Have Eyes movies and the Hollywood history and narrative identity that makes that franchise tick. As for the sequels, well … sometimes a cash grab is just a cash grab. ![]() ![]() While some hold Alexandre Aja‘s 2006 redo in high esteem ( even preferring it to Craven’s film), others might argue that the brutal, French Extremity-influenced legacy remake misses out on the subtler jabs of the original text. Now considered an exploitation staple and an early tip-off to Craven’s talent for socially-conscious horror, The Hills Have Eyes would go on to spawn a direct sequel and a remake with its own sequel. Caked under all that 1970s grit, gore, and grindhouse sensibility, there lay a director with a keen interestest in poking holes at the ironies of suburban America. Using a gritty exploitation sensibility to comment on two nuclear families (one in the social sense and the other, quite literally irradiated), Craven demonstrates immense technical and thematic growth in the wake of his shocking debut feature. And yet they had the audacity to barrel forward with all the confidence and unearned security of wealthy, white urbanites. After all, they were warned to stay away from that land. When they accidentally crash their car while driving close to a private Air Force range, the Carters find themselves at the mercy of a family of violent cannibals. Shot on location in the Mojave Desert, The Hills Have Eyes (1977) follows the affluent Carter family, who are passing through the arid Nevada wasteland on their way to California. Today, we’re watching a video essay that explores the legacy of the horror franchise The Hills Have Eyes.Īfter unsettling the drive-in with his directorial debut, The Last House on the Left, Wes Craven was approached by producer Peter Locke to make another depraved genre film to guarantee butts in seats. Welcome to The Queue - your daily distraction of curated video content sourced from across the web. ![]()
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